the greatest hits from death row records artists on 4x12 inch vinyl, housed in a gatefold sleeve.

best records own luminary claudio casalini was at the helm for this one-shot studio project that captures italo disco at its most exuberant and organic. originally released in 1984, the bassline on -stop your lies- is a quintessential slice of synthetic throb from a golden era, but the electronic elements are wonderfully offset by rich instrumentation and a brilliantly camp vocal performance from the unnamed boy-girl combo. the vocal mix on the a side is strong enough for a single-sided cut, but the instrumental on the flip widens out the reach of the record and really lets casalini s superb production shine through

statue is a live percussion based dance project, the brainchild of melbourne drummer tom gould. over the past five years he has honed his craft in cult melbourne bands no zu and worlds end press but now greets the dance world under the moniker statue. after featuring in last years beats in space - best of the year list with his debut 12-, his second ep ‘monument is a reflection of the human and a testament to dance floors both indoor and out. monument further establishes statue as a fixture in melbourne’s dance music culture, constructed for both warm afternoons and the sweaty early hours of australian summer. the ep traverses multiple tempos, between techno, house and tribal percussion, creating a world of warm percussive dance floor odysseys arriving parched and thirsty for more at it’s aural peak, monument. the expedition ends with an expansive remix by disco halal king pin and recent esp institute alumni, moscoman

this time we present you the golden goldffinch boys on the new fuse label on the more techno orientated side of things. four dark and haunting tracks which stand out of the flood of functional techno nowadays.

&#8203,,one of the foundation artists on samurai horo, asc is an essential part of the labels rebirth with the ’geocentric systems’ ep. taking the grey area sound into heavier, darker territory, ‘aphelion’ and ‘perihelion’ formed the core of this ep with their fervent bpm trickery. these tracks are techno rebuilt with dizzying sensory loss, adding a weightless intensity that feels like a constant attack. ’passel’ and ‘geocentric systems’ offer a dubbed out version of the approach, heavy on the intricate sound design that has become the asc trademark.

lywood has worked alongside some of the most prestigious names in art, fashion, music and film - from led zeppelin to louis vuitton, the venice biennale to the serpentine art gallery, in a career spanning over 20 years. junk sees lywood stepping into the limelight for the first time with these eight epic psychedelic dance-floor and spaced out instrumental visions. junk is inspired by vik muniz’s ground-breaking documentary waste land, which tells the story of the landfill site, jardim gramacho, on the outskirts of rio de janeiro. recycling fragments of german electronica, disco and 80’s synth from his childhood and fusing these with new, found sounds, lywood takes us on a journey through his world of junk re-imagined. five of the tracks are named after some of the largest landfill sites around the world, and trash vortex is named after the swirling mass of plastic waste the size of texas, in the north pacific. lywood stays close to muniz s mission to “change the lives of a group of people with the same material that they deal with everyday”. ** cover artwork by keith coventry, the celebrated fine artist represented by pace gallery** the debut cochabamba album comes courtesy of respected sound designer and fine artist dan lywood!

cassette !!
the footloose lp by expanding universe is a young musicians attempt to drag himself out of one of life’s little dark holes. 24 year old dutch producer kevin huizing turned to music as a way of providing a much needed sense of positivity in the world. the result is an accomplished mixture of modern electronica, classical and world rhythms all composed by someone firmly outside of their comfort zone. the overwhelming theme that holds these contrasting influences together is emotion and a desire to make things better. natural and heart- felt. poignant and inspirational. it’s a masterclass in transforming a negative situation into one that’s magical and full of hope. melodies that will stay with you for ever and compositions that truly over ow with feeling and vibrancy. the eight tracks combine to form a wonderful journey of intergalactic escapism worthy of any movie soundtrack. taking science fiction as inspiration if each song where its own unique character they would undoubtedly fuse together transforming into one giant laser beam wielding robot destroying negativity and saving life’s across the galaxy. each track is great but together as part of the album they are unstoppable.

the mighty flames were a crack bunch of cameroonian musicians, drawn to nigeria by the heavy funk sounds booming across the border like musical moths. for a short time in the late sentries they ‘owned’ port harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. metalik funk band is the band at their most deadly.

pattern 3 comes from one of the uk’s hottest producers. tommy vicari jnr is hot right now and you only have to listen to this ep to hear why. 4 strong house grooves which we are sure will be heard on dance floors all across the world.

the first record of luv kluv comes out with 2 housy and powerful original tracks plus two remixes from highly talented berlin artist nick beringer and washington based artist dj nav.

where the factory meets the creek... rudolf c, dj sting, pascal and lou karsh all provide hazy, percussive, driving, and dubbed out live jams for this new melbourne based label. proper essential vibes from the sunshine coast.

the debut release for the label is inspired from lingering between different realities. the original cut of bardo starts the release perfectly with a groovy bass and delayed atmospheric sounds, on point for self inner exploration. ed herbst &#769,s version brings some of his innate talent as a beatmaker. forward moving bass, crisp percussions and expansive sounds, make it perfect for the the late hours. on the flip side, han delivers a tool with layered percussions that are accompanied by futuristic sounds creating a solid groove that will keep you locked in. nick beringer delivers a superb remix of tamed, raw elements and tripped out sounds all along the track make this a dance floor bomb.

chicago 1992. ray barneys dance mania imprint has already been making its presence felt on the streets since way back in 1985 with a slew of releases from luminaries such as lil louis, dj pierre, vincent floyd, armando and many more. step in parris mitchell, under his rhythm ii rhythm alias with a 12inch of pure deepness for the label, oddly this the only one parris released using this particular name. a touch of jazz is a languid, soulful roller that stands out amongst the more tougher edged, frenetic releases on dance mania. this is some late night, smoothed out business across 4 alternate mixes. it s all uptempo snapping drums, shifting jazzy keys and that ridiculously catchy bassline, pure deep house basically. this is the first time a touch of jazz has ever been reissued in full, just as it was originally released in 1992, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. do it tonight!

nancy azzurro comes out of nowhere. well, that’s not entirely true—lovefingers met her about 10 years ago on the beach near her home on the island of sardinia—but in terms of our musical orbit, she is a very private artist, creating only the purest music, straight from the heart. these three gorgeous songs were produced during her young adulthood and would become secret weapons for a handful of djs she’d meet over the following years. still standing the test of time today, they’re now finally seeing a proper release. side-a’s grace invites us into nancy’s world where disco and house collide—the live drums, percussion and bassline hold down a blanket of synth strings and wah-wahs. halfway through this epic enters a piano hook of the highest order, an emotional rush that brings together everything we love on the dancefloor, guaranteed to induce goosebumps. on side-b, she rounds out the release with the dreamlike, percussive and yugo-tinged illustrations & the large, and closes with the title track teen bee, a loopy cowbell-driven dive into the deep, filled with luscious sweeping chords and meandering keys. the esp institute is honoured to close out 2016 (one seriously heavy year) with such a beautiful and cohesive release. thank you and goodnight.

julian perez delivers his debut album solemnity on the artist’s own imprint, fathers & sons productions. this 2×12” vinyl only release is a deep sonic journey highlighting perez’s attention to detail and the evolution of style gained from many years of refining. solemnity branches out in many directions but is unmistakably perez, expressing himself musically more than ever before. presenting relaxing soundscapes that float through various atmospheres plus perfectly-mixed 909 beats, listeners can expect a journey of songs that ranges from innocent and deep to club-friendly and driving. the album’s title comes from the state of being serious and dignified, which is seen in this complete package from the artwork to the mix and expert selection of sounds. solemnity by julian perez is a window to the artist’s dedication to his craft and ability to create honest sound. it’s an album that should be listened to from start to finish. we solemnly swear.

few nolder has created a fitting second ep for gardens of god’s sodai label, spotlighting the cream of electronic talent coming out of lithu&#8203,,,ania. ’&#8203,,,ace of space’ confidently delivers three original tracks that build upon an already solid reputation. “&#8203,,,showing a steady upward trajectory, few nolder has established himself as an internationally respected &#8203,,, dj-producer”sosaid&#8203,,,xlr8rofhisrecentwork.h&#8203,,,isopeningtrack‘&#8203,,,balance’isthemostunexpectedtrack linas strockis aka few nolder &#8203,,,claims to have done in years. he is particularly surprised with his approach, discussing the “&#8203,,,deep percussion and long tail cowbells together with windy tex&#8203,,, tures, and lush hypno feel”. while ‘&#8203,,,teaser’, which gardens of god played during his back to back with &#8203,,,b.traits &#8203,,,on bbc radio 1 recently is contrastingly unrelenting. “&#8203,,,the m&#8203,,, elody evolves into a monster”, he says of the record, which can be heard in the metal snares and enchanting flute.&#8203,,, on title track ‘&#8203,,,ace of space’ nolder wants you to imagine “&#8203,,,stars passing by in their intergalactic travels &#8203,,,whilst the drops are like a return from an uncharted nebula”. this is an ep based on big melodies and endless spaces, and a worthy fit for the burgeoning label. few nolder has been creating music for over a decade with a steady succession of releases on ghostly international, planet mu, connaisseur recordings and needwant recording

device control is jake reifs new solo production outlet which draws equally from the pools of early wax trax and medusas with the hybrid pit jack of early farris or rush. machine made yet with a soul, all four cuts are for the true hyper jackers on the floor, tested and recomended. born in new york and spending his formative years in the mid-west, jake reif has served time amongst some of the best, producing alongside both mystic bill as well as reade truth releasing well recieved 12s on rong music and a break out remix on snuff trax in recent years. back in the day you could catch jake clocking hours working at sonic groove records among a motley crew of heavy hitters whilst honing his talents.

following a soulful ep that enjoyed recognition from many big names in the industry, algorhythmic is moving forward to its second release which already hits the dancefloor with groovy, yet powerful tracks. the va brings together artists from all around the world who don t cease to amaze with their fresh beats and out of this world sounds. already having the support of raresh, petre inspirescu and barac, just to name a few, the record promises to deliever an exquisite groove, so get ready to lose yourself to it!

hotmood dropped one of the beatdowns biggest records this past summer. out of no where, in the shops one day, gone the next. highly anticipated volume 2 courtesy of tim zawada’s tugboat edits picks up where vol 1 left off. not a weak track amongst the bunch, diverse selection can turn any mood to hot.

new al-tone are back with part 1 of a double 12inch of dance floor goodness. this volume contains some of their sought-after edits same routine, end of time, teach the people and i got something, which are out of print. volume 8 comes in a picture sleeve that houses both it and volume 9 (due out in the next 2 weeks)

returning from the unknown space of his debut, martianman is back to refine his label’s ethos, continuing the exploration of sci-fi themes & deep ambience with vol.2 the opener, “got a dream”, bubbles up from submerged atmospheres, as a crisp, rattling break fights its way through the fog. martianman once again shows off his ear for textures, subtle vocals fade in and out of an entrancing, bottomless pad. a dark-meets-light journey through the cosmos. “amber fields” comes straight from the halcyon days of the mid-90’s intelligent movement. a light, rolling hot pants break gives way to a myriad of pads, strings and bleeps, each element shifting neatly throughout the fold. fans of the good looking vibe would do well to pick up this piece of subtle, understated beauty.

produced out of excellent techhouse, spoiled with tender sweet ingredients and completed with just the right amount of dark influence – on “canned jam” jason ryse actually brought as 3 new compositions.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

society 3.0 recordings set out to put together a collection of songs in the form of an excellent 12- maxi single / digital download release, featuring 6 tracks from a host of talented artists. marc de vole & ray simon dominate the first half of the record, with their incredible dense sound and awe-inspiring deep house philosophy. mr. de vole has been into electronica since the late 90s, and his seasoned experience clearly shows through his track. this is an artist who strives to create focused and punchy tracks, yet retain a very special intuition that add that sought-after -human touch- to his works. russian artist -tuneon- dominates track n.3, -blumarine-. the song flirts with 90s disco and house influences, adding some color and texture to the setlist, without straying too far from the mood previously set by marc de vole and ray simon. the second half of the release features the work of sergio parrado and ernesto paredano, who set out to collaborate on 3 tracks for this release. these tunes showcase a more modern and european approach to the sound. on -mamey- and -krill-, the pair showcase an interesting approach to percussiveness, creating intricate and dense rhythmic pattern that truly drive the songs. closing number -tempranillo- embodies the spirit of classic deep house and tech, serving as a perfect closing number for such an exciting and diverse release.

bassianis 2nd12-inch release is out on november, 21. it will be 4 track included release, contribution from artists avi musaifi, abdulla rashim, varg, newa.

new 2x12 inch vinyl reissue of the seminal 2001 album from telefon tel aviv with liner notes by laurent fintoni. comes in gatefold sleeve with download code (includes archive 99 material).

nice price deal !!! 3 spaced out darkish techno tunes by stefan rein on a new imprint called stress research. this is the first in a line of amazing techno weapons so watch out for this label in the future.

limited repress due to high demand on requests. on its second release, the fresh label eating records, native of brussels, embarks us on its most unlikely underground journey yet .the new project includes two beautiful tracks from the deep flows of house music, from the unfamous talented producer from kiev, io (mulen). there s no point in trying to place io or his music in some larger social picture. no need to talk about his intensive production. his successful releases can be found on imprints such as rejected (joris voorn), propaganda (nastia), elarum and his own mulen records which he started in 2012 and that released his stunning debut album within 2013. on flutes/creeps ep, he thrives on fantastic impossibilities including flutes and deep melodic basses. it is obvious that mister io had a wonderful time making the two tracks. flutes comes up as victorious and gallant. it is an energizing shock full of curious noises, mesmerizing musical surprises, a real dancefloor track. creeps is discreet and dark, and remains beautifully deep. this track finds io wrenching as much sweetness out of it as he possibly can, in return giving us our first indication that he is in a generous spirit. when this ep comes to an end, it feels like getting back from a good vacation: the last thing you want to do is re-enter the real world.

it has been a year since we last heard something from him, but in the meanwhile things have been sweltering beneath the surface. last we saw him, he vanished into a sculpture that bended the rules of our three dimensional reality. finally, here we are. being stuck inside a rusty hypercube trying to find your way out, crawling around the different tunnels all leading to new spaces that puzzle the mind. tangible, tactile shapes forming a comprehensive physical world without containing a discernible contour. flat pictures that once inspected transform into multidimensional spaces. the room fades into infinity, and all that’s left is an overdose of sensory stimulation. but dont worry. quince is here to help you find your way out. after an album on delsin, releases on music man, kompakts speicher series and his track europe on our somewhere compilation, quince is back after a short hiatus on something happening somewhere with a four track killer no filler ep that oozes character out of every sweaty pore. making the kind of records you still remember after an intense club night slowly comes to an end, quince presents a diverse pallet of sounds to choose from. rif provides perfect sturdy dance floor material with quince’s compelling groove trusting alongside splintered melodies and detroit influenced synth sounds producing a sense of undeniable optimism. b1s coitus shares a similar punch, combining raspy synth stabs with a detuned bell pad giving the feeling that youre sucked into a wormhole propelling you towards an unknown location.

mculo, aka dan schey, is a producer and dj originally hailing from london but now residing in berlin. over the last 2 years he has been cultiviting his own roots by the oder imprint on which he released his bunzlau tape ep and his i caught a glance ep which was out this summer, as well as regular appearances on the likes of kmah radio and nts. he is also a frequent dj in berlin alongside the likes of close affiliates chaos in the cbd and youandewan. this is the follow up to his dreamy i caught a glance ep. its a far darker record than his previous releases, focussing much more on the dancefloor. it s been a regular feature in mia dora s dj sets for the last 12 months.

recorded in haiku-pauwela, maui between 3rd febraury and 14th february 2016 anthony child aka surgeon presents the second volume of recordings of buchla music easel recorded in the jungle of maui. again we find child s in a more ambient guise and setting as the calm breath of the jungle sets a real time back-drop for his electronic explorations. there is no additional layering and all environmental sounds simply occurred throughout the improvisations. the range on display veers from melodic drones to sparkling arpeggios all revolving around a thick bed of (buchla) electronic and (environmental) acoustic interplay. nine personality type map hovers on a bed of syncopated rhythms whilst the nearby sonic mist of the forest seeths in and out of the frame whilst nightfall of diamonds provides a sonic analogy for the darkness and light contradiction that occurs only in such rich natural environments. the simultaneous acts of improvising, listening and creating provide a rich setting for the curious listener. another gem in a catalogue filled with gold.

>i take my guitar and strum and sing some tings and blow peoples mind. but i aint trying to do anybodys music. im doing what i feel< - shadow when it came out in 1984 the far-out album sweet sweet dreams by trinidad & tobagos shadow (aka winston bailey) was described as way ahead of its time. undeservedly it was panned by critics and, unable to reach markets, disappeared into the dusty record collections of a few music aficionados. now, more than three decades later that cosmic dance-floor ufo is about to take off again, change all that and set the record straight. remastered and cut by frank meritt at the carvery the album is truly a masterpiece.

local nyc boy eli escobar makes better than good on his debut release for rnt with a 4-tracker of secret heat from his personal arsenal! the ep bursts out of the gate with bullfight of love, blazes through the percussion heavy everybody, hits full stride with the reworked paradise garage staple the music, then lets us down nice and easy with seven eleven. pay your fare and take a ride on the nyc underground!

new york’s dj torture drops a lo-fi acid work out on os xxx fresh from his limited cassette drop on swamp tapes.. wunderkind bakground holds it down on the flip with 2 lo fi jungle jams.

jax dax returns with another ep of dark and epic rave-techno on the magic waves label. four cuts of guaranteed dancefloor devastation, from the in-your-face energy blast of jax 91 to the tweaked-out sensory stimulation of proto on side a to the political commentaries of the mayhemic sample-heavy anthem phreedom and the dark and delirious synth stabs of revenge of the scallies on side b this is a record no dj can afford not to pack.

pulse drift recordings, a new german electro label, bringing you the sounds of eoism with this fine 6-track ep. all born out of genuine live-jamming, what we have here is a remarkable collection of straight, unpolished electro music, ranging from laid-back tunes like -the last to know- to energetic dancefloor-blasters like -the wire- or -odyssey one- and everything in between. join in to this raw game of electro-fied passion!

spring theory alumni sage caswell returns to the san francisco-based label to deliver his debut album hoop earring. it s an enigmatic record that comes from the producer s own movement through personal transformation. it follows 2015’s sleep quarters , caswell s introspective label debut, and offers 10 tracks spread out across two 12-s. hoop earring is heavily informed by surrealist visions and archetypal images from caswell’s past that have crystallized within the context of this longplay album. hoop earring successfully paints images with broad brushstrokes and allegorical song titles that allows one to fill in fine details of a landscape built within the framework ten songs. “ray of light 95’” alludes to a moment in time that smartly places you alongside an adolescent caswell while songs like “here we guard upon the soul” land locks squarely in the middle with a poignant, nail-on-the-head statement. -zora scales (step 1)- provides a focal reference to the fantasy world that this album might be the soundtrack to.

Über den zeitraum von fünf jahren hat rob orme fünf verschiedene eps und ein album auf dem berliner project: mooncircle veröffentlicht. durch die nach wie vor hohe nachfrage und die tatsache, dass alle titel ausverkauft sind, veröffentlicht das label nun eine werkschau des künstlers mit seinen besten und beliebtesten tracks sowie vier neuen und bisher noch unveröffentlichten songs. das album erscheint als farbiges doppel-vinyl mit downloadcode.

african vibes

rare brazil album made available again through mr bongo, incl. voce abuso & kabaluere. nice! a truly fantastic record that sounds the way it looks – psychedelic rock, samba-funk and tripped out mpb. features kabaluere as sampled by marcelo d2 on his hit qual e. arranged by rogerio duprat, featuring legendary guitarist lanny gordin. antonio carlos & jocafi were a very successful and famous brazilian writing duo, born in bahia. they worked with the likes of wilson simonal, rosinha de valença, trio mocotó, milton banana, toquinho and more. originally released on rca brazil in 1971, this was the duos debut lp. two versions of the album cover exist in brazil – this, the psyched-out, burnt out version, and a much less exciting photograph of the chaps, pressed to include the single desacato which became a popular hit in brazil and several european countries.

raining colors was recorded after returning from the bpm season in mexico.inspired by the slow tempos and crazy rhythms heard while dancing at the sacbe jungle party this was the result.remembrance of breath was created for our performance before last years desert hearts. we felt it would compliment the surroundings of this wonderful outdoor festival.solar flare response was originally created for fun using our friend, colin c s, alchemy plug-in sound pack essential alchemy for loopmasters. we were so excited with how it turned out we decided to turn it into a full piece. these songs reflect the deeper and heavier side of our creative output and the kind of music we enjoy playing at night after the freaks come out.

last year saw casablanca-based cosmo records launch its most ambitious project todate, celebrating five years of cross-cultural collaboration. the three vinyl releasesfeatured producers such as san proper, radiq, pier bucci and dandy jack working with moroccan musicians to create a true fusion between modern electronics and ancient traditions. the purpose of cosmo has always been to find a natural meeting place between thesedistinct musical forms, bringing out the best strengths of each practice through real time spent together in the studio, where each artist can truly understand the other in a shared quest for sonic harmony. as such, this latest release marks a step forward in exploring this idea through a new series entitled cosmo jam. as the title suggests, the focus here is on live improvisation. in late 2014 parisian producers masomenos and vadim svoboda travelled to morocco and set up their equipment at the coda casablanca music center. they were joined by m’hamed el menjra playing bass, abdessamad boussahfa on violin and sanhaji on darbuka, and the ensuing jam sessions between these musicians now make their way on to vinyl. no editing or post-production took place – the music you hear on the record was created entirely in the moment. each track highlights the magic of a different instrument – on “be” menjra’s double bass comes twisting through effects processing and subtle distortion, meeting with a low-slung broken beat groove from the visiting french producers. sanhaji’s thrilling percussive flair on the darbuka flirts perfectly with the crisp programming of drums and bass on the uptempo “kaled” and the more laid-back “petit”. boussahfa’s violin makes for some of the most arresting moments on the release, meeting with intricate minimalist rhythms on “mon” and shining in the heart-rending ambience of “frere”. presented across two 12”s, this collection of six tracks tells a most honest account of how gifted artists from entirely different disciplines can find a common ground and create something truly unique. without any studio trickery to hide behind, this is the concept of cosmo records laid bare, and the results prove it is a concept worth exploring further.

nice price deal !!! ryota o.p.p aka ryota arai delivers his debut album pale lux for meda fury. ryota is based in tokyo at the nexus of the japanese house / future disco scene, alongside cohorts such as cos/mes, inoue shirabe, and kza he blends eastern mysticism, jazz spirituality, and cosmic disco with classic 4:4 rhythms. a highly respected dj, promoter and producer the opaque discoid-stomp of his future life ep marked him out as an original oddity but a vital new voice in the now global electronic music community, but with pale lux hes enlarged the scope of his musical canvas to incorporate new fresh textures and atmospheres. as meda fury head honcho nick williams explains: future life was built from some quite dark, abstract demos, some of which ended up being a bit overproduced for his self made debut cd only album. the pale lux lp is a ryotas fully realised eclectic vision, with a mood that is more optimistic and playful - much more reflective of his personality.pale lux indeed has a real narrative flow - dance floor tracks such as the chunky balearic vibes of wood, and banging future techno of bird flying over the rainbow nestle alongside home listening ambience witness the backroom/chill-out vibes of origin, the cute hip hop bounce of soft touch or the delicate trinket box chimes of outro drops. oscillating between light and shade, slow and fast, the influence of japan s history and native instrumentation runs right through the record, his fascination with balearic, disco, deep-house, hip hop, ambient and blunted beats parcelled into a glorious, sweetly considered listening experience.

glenn underground takes us on a tb303 journey with lush ambient chords and spacey rhythms on battery acid on the a-side plus a raw dub edit of it on the flipside. mr heard finishes out the b-side and is yet another tribute to the master of house larry heard aka mr fingers and gu really taps into larry’s musical solar system!

on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

that which is not said...
twins is matt weiner who is also known for his featureless ghost project and of course as the head of the dka records label… his project twins is not limited to one specific style but the dominant characteristic is the synth driven sound… other influences in the mix are various styles of dance music and a healthy dose of arty post-punk… this new mini album “rather not” is the perfect blending of all of this… due to this it is on the one hand a classic minimal elektro record but at the same time a rather modern piece of electronic music… catchy tunes and surprising twists go hand in hand and make up for an authentic and original record… which is more stunning every time you play it!

nice price deal !!! second release on wax for led records, and now is the time for gas vs linuz first ep with a project started as a collaboration between two italian artists: enrico gasperini and lino pugliese. day zero goes darker and deeper: an underneath bass always moving under hypnotic rhythms is shaked by spacey syhnth sounds for an overall >epic< feeling..a track for both evening and morning sessions .. >zuloop< is an un-conventional electronic house track: broken beat loops, live orienteddrums and cutted voice elements are fused with a sunny piano-synth foran out-of-scheme sound.. miguel sar, better knowns as tadeo, is one of the most important artists of the spanish electronic scene and delivers a true bomb with his remix for led002: 808 rhythms and groovin bass mixed with a sensual vocal line turns >day zero< and >zuloop< into a more club-oriented track for a great journey into electronic sound!!

nice price deal !!! with releases on 7th sign, persistencebit and self defence to his credit, belgian dj/producer franco cangelli returns to his own mowar label for this killer four-track ep. inspired by classic techno and contemporary machinations in equal measure, cangellis palette is varied but sophisticated. >pressure< kick starts the ep in dubby mode, but the fat beats and spooky riffs are soon joined by a warm, sublime chord sequence. >frantic<, as the title suggests, picks up the pace, with a slamming, slightly off-rhythm underpinning wired analogue bleeps. thanks to cangellis smooth production touch, it manages to sound both timeless and modern. on the other hand, >fringe< and >deviate< make no secret about their influences. the latter deploys raw, crunchy beats and a shuffling groove as the basis for a sensuous chord sequence, while >fringe< is even more reverent. gently filtered bleeps and tones cascade over tight claps and an insistent, jerky rhythm that recalls stasis and derrick may. dont miss out on this future-retro gem

nice price deal !!! superb vinyl album release!! finest electronic techhouse !! the sound is very upfront